so if you want to enjoy our singing and boozing experience in an atmosphere that is slightly less Continue reading Still spaces at Tuesday’s Counterpint in the Cafe
Back in April we enjoyed a session dedicated to Continue reading #PDtPBirthday 2017 Setlist Part 3: At last, some Victoria!
It was great to see so many of you at PDtP Returns last week; clearly the summer break hadn’t Continue reading PDtP Returns: In which the tents of Kedar (just about) withstand our attempts at pitching them…
Quick reminder that January’s PDtP takes place tonight; still one or two spaces left for anyone who isn’t a bass.
As promised, we’re putting on a Counterpint in the Cafe next Monday (Jan.23rd). Booking goes live at 5pm on Friday the 20th, with a few more released the next day at 9am.
Only 28 spaces will be available so you’ll need to be quick – and please don’t book unless you know you can make the start time of 6.30!
Monday’s 2nd birthday party was just too good for words but I’m going to give it a go! (As usual I’ll be getting a little help from our resident tweeters.)
Having enjoyed some uncustomarily subtle singing of the warm-up Bach chorales (BWV 245.11 was given a particularly sensitive reading), it was down to business with the truly old stuff, starting with the Morales Regina caeli a 4 and a chromatically crunchy Vox in Rama by Zielenski.
During the break, I was presented with a marvellous birthday surprise – cupcakes baked by PDtP stalwart Dot Fraser! (By the way, if you are not going to Dot’s for all your music needs then you need to correct this. And Dot, you need to start a sideline in baked goods.)
Part 2 of the evening gave us Guerrero‘s Alma redemptoris mater and Gesulado‘s Sancti spiritus, Domine (yikes) before we started larging it with Clemens non Papa‘s 7 part bubble bath of a motet Ego flos campi.
We finished up the section with a bona fide double-choir stunner, Palestrina‘s Laudate Dominum. (Apologies to Choir II for the stern words re: tempo but you know I only ever have your best interests at heart.)
Happily, the relatively simple harmonic structure meant that even after 3 or 4 glasses of wine you couldn’t really go wrong.
The final section of the evening started with perhaps the only duff number of the night, Byrd‘s O sacrum convivium.
While it’s fair to say that many of you voted for it simply because you wanted to see Byrd on the setlist, nonetheless the episode is currently tied with Donald Trump’s selection as Republican presidential candidate for 1st place in the List of Reasons Why Democracy Doesn’t Always Work.
The mood lifted with the glorious tweefest that is Morley‘s I love, alas, I love thee, one of the works that recently convinced me that some madrigals can indeed have a place in a civilised society.
And finally, in terms of real music we finished off with an incredible Victoria O magnum mysterium (I am very glad you voted for that!) and another fine bit of Palestrina, namely his Pueri Hebraeorum.
Once the proper stuff was done and dusted, there was one final piece of singing to round off the main event; the collective look of pain on all your faces really says it all:
(If you’re really lucky, you might get Bach’s recently rediscovered setting of Frosty the Snowman at our Christmas session…)
After the delicious cakes were distributed, we enjoyed a brief ‘after hours’ session in which we revisited some of the evening’s hits.
Even with reduced numbers, we still somehow managed to do full justice to the multi-voice Ego flos campi and Laudate Dominum, and topped it all off with one last O magnum mysterium which ended up being one of the finest pieces of singing I think we’ve ever enjoyed.
My thanks to all 68 of you who came, whether old-timers or newbies, as you made it such a great celebration.
One last thought. 2 years ago, I tweeted this in jest after our very first session:
And yet, look where we are today: PDtP and Counterpint are going stronger than ever, not just in London but in other parts of the UK, and there are other groups of singers in pubs popping up all over the place!
I’m very glad that it is an idea that has taken off and I hope that we’ll all be singing and boozing and laughing for a long time to come yet!*
*As long as it doesn’t involve that Byrd.
Save the scores to a tablet/phone/laptop (or print them out if you really have to) and bring them along on the night.
Also, we have one soprano and one alto spot up for grabs for anyone who fancies coming along.
…’cos there’s a new game in town and its name is Counterpint!
Tonight was just fantastic, with some truly inspiring moments – from the luscious sound of If Ye Love Me & Sicut cervus through to the austere beauty of the Victoria. (Still can’t believe that most of you weren’t familiar with it – you sang it with real sensitivity & musicality).
Other highlights were a superb rendition of the Crecquillon – it’s a real smasher, isn’t it? – and the ‘after-hours’ 2nd go at the Bennet – just gorgeous.
Thanks to all of you who came, from our PDtP regulars through to all you awfully good Kingston newbies – really hope you enjoyed it as much as I did.
Thanks too to Charlotte and the team at The Canbury Arms for welcoming us and to Aine at Kingston Arts for inviting us to be part of the Festival of the Voice; it was such a success owing to the publicity efforts and support from both of you.
Tonight was a bit of a punt as I really wasn’t sure if there would be enough interest in our bonkers music-making shenanigans to justify a spin-off night; however, I think it’s now safe to say that Counterpint will be back in 2016, so keep ’em peeled for updates!
In the meantime, do please join us for PDtP November 23rd & December 14th.