Technology – isn’t it great? (aka If you’re going to tonight’s Counterpint in the Cafe Part II)

No sure what’s going on with the Eventbrite e-mailing system but some attendees of  Continue reading Technology – isn’t it great? (aka If you’re going to tonight’s Counterpint in the Cafe Part II)


If you can’t wait till our 5th Birthday to sing Spem in alium*

then you have the chance to sing it this coming Saturday (February 25th).

The Choir of King’s College, London are putting on a come & sing afternoon workshop before their public performance of the work later that evening. Tickets are Continue reading If you can’t wait till our 5th Birthday to sing Spem in alium*

Booking for next sessions

As previously threatened, the next PDtP will take place on March 6th. Registation is via this page; first booking period goes live at 9am on Saturday February 18th, with more spaces released at 5pm on Friday February 24th.


Although our Franco-Flemish Special was a tough act to follow, this is going to be another great session, not least because we’ll be celebrating International Women’s Day with some corkers by Maddalena Casulana and other women composers.

Before that, we have a Counterpint in the Cafe session on February 28th. Booking is via this page and is already live. (Spaces were pre-released to our Twitter and Facebook followers; follow either/both accounts to be first in line for future sessions.)

Finally, our next Counterpint at the Canbury is likely to be in March or April, so keep an eye out for updates.



The most sublime thing that’s ever been sung in a pub. Fact.

I don’t know about you, but my head is still lost in the world of the Franco-Flemish masters, following Monday evening’s PDtP special.

Pretty much every piece proved to be a hit right from the start, from the proto-chorale of Isaac‘s Innsbruck, ich muss dich lassen all the way through to the bliss-injected Long temps mon cueur by Manchicourt at the end of the evening.

In between we enjoyed some belters thanks to Arcadelt (Voi ve n’andat’al cielo), Lassus (Justorum animae) and Clemens non Papa (Vidi Jerusalem), as well as more challenging (but rewarding) fare in the form of Gombert‘s 6-part reimagining of Mille regretz and Josquin‘s Tu solus facis mirabilia.

However, it was Josquin’s O benigna (aka Inviolata, integra et castiga Part 3) that stole the show for me. The final run-through was utterly sublime, and I actually found it quite moving that a group of scratch singers could make something so intricate sound so ravishingly beautiful in such a short amount of time. It really was one of those moments that made me realise why I love this crazy project so much.


The most sublime bars in the most sublime work. Basically, it’s sublimeness squared. 

Thanks once again to all who came and made it such a great night.

Thanks, too to everyone who came to January’s Counterpint at the Canbury last week. We had a great turn-out despite the weather and enjoyed some of the many hits from previous PDtP sessions.

I’m also very grateful to Dan Hayes for helping out during part 2.

The next PDtP session will be Monday March 6th and before that we’ll be holding a Counterpint in the Cafe session on February 28th; booking details for both will go out sometime next week, alongside a confirmed date for our next Counterpint at the Canbury session.

(We will almost certainly be revisiting many of the Franco-Flemish works in both the Counterpint sessions so if you missed out on Monday’s session, you’ll get another couple of chances to sing these amazing pieces of music.)

In the meantime, here are a couple of other events you may be interested in: