No sure what’s going on with the Eventbrite e-mailing system but some attendees of Continue reading Technology – isn’t it great? (aka If you’re going to tonight’s Counterpint in the Cafe Part II)
you should have received the link to the scores on Sunday evening.
If you haven’t received the e-mail, please look in your e-mail junk folder – and make sure you’re Continue reading If you’re going to tonight’s Counterpint in the Cafe
then you have the chance to sing it this coming Saturday (February 25th).
The Choir of King’s College, London are putting on a come & sing afternoon workshop before their public performance of the work later that evening. Tickets are Continue reading If you can’t wait till our 5th Birthday to sing Spem in alium*
to booking going live for PDtP March 6th. (Apologies for the premature posting earlier.) When booking opens at 9am tomorrow, you’ll be able to register via this link.
Once all the spaces have gone, more will be Continue reading Let’s try that again, shall we? This is the 12 hour countdown
As previously threatened, the next PDtP will take place on March 6th. Registation is via this page; first booking period goes live at 9am on Saturday February 18th, with more spaces released at 5pm on Friday February 24th.
Although our Franco-Flemish Special was a tough act to follow, this is going to be another great session, not least because we’ll be celebrating International Women’s Day with some corkers by Maddalena Casulana and other women composers.
Before that, we have a Counterpint in the Cafe session on February 28th. Booking is via this page and is already live. (Spaces were pre-released to our Twitter and Facebook followers; follow either/both accounts to be first in line for future sessions.)
Finally, our next Counterpint at the Canbury is likely to be in March or April, so keep an eye out for updates.
I don’t know about you, but my head is still lost in the world of the Franco-Flemish masters, following Monday evening’s PDtP special.
Pretty much every piece proved to be a hit right from the start, from the proto-chorale of Isaac‘s Innsbruck, ich muss dich lassen all the way through to the bliss-injected Long temps mon cueur by Manchicourt at the end of the evening.
In between we enjoyed some belters thanks to Arcadelt (Voi ve n’andat’al cielo), Lassus (Justorum animae) and Clemens non Papa (Vidi Jerusalem), as well as more challenging (but rewarding) fare in the form of Gombert‘s 6-part reimagining of Mille regretz and Josquin‘s Tu solus facis mirabilia.
However, it was Josquin’s O benigna (aka Inviolata, integra et castiga Part 3) that stole the show for me. The final run-through was utterly sublime, and I actually found it quite moving that a group of scratch singers could make something so intricate sound so ravishingly beautiful in such a short amount of time. It really was one of those moments that made me realise why I love this crazy project so much.
Thanks once again to all who came and made it such a great night.
Thanks, too to everyone who came to January’s Counterpint at the Canbury last week. We had a great turn-out despite the weather and enjoyed some of the many hits from previous PDtP sessions.
I’m also very grateful to Dan Hayes for helping out during part 2.
The next PDtP session will be Monday March 6th and before that we’ll be holding a Counterpint in the Cafe session on February 28th; booking details for both will go out sometime next week, alongside a confirmed date for our next Counterpint at the Canbury session.
(We will almost certainly be revisiting many of the Franco-Flemish works in both the Counterpint sessions so if you missed out on Monday’s session, you’ll get another couple of chances to sing these amazing pieces of music.)
In the meantime, here are a couple of other events you may be interested in:
- On February 18th, the Music Sales Group are launching the new Novello Book of Hymns with a night of beer and hymn-singing at All Saints Church, Fulham; details can be found on the Facebook event page.
- Music as Therapy International are putting on a fund-raising Come & Sing Messiah on March 11th, with former King’s Singer Jeremy Jackman directing.
thinking about tomorrow’s Franco-Flemish Special.
Those of you who’ve been coming to PDtP for a while will know that I’m a big Josquin fan, and tomorrow we get three(-ish) works by the great man to perform, including this one:
(though sadly not the version with obbligato accordion.)
Josquinophiles may also be pleased to see that Gombert‘s remix of the master’s Mille regretz is also on the set-list:
It wouldn’t be a celebration of all things Netherlandish without an appearance by Lassus:
And at the lesser-known end of the F-F spectrum is Manchicourt, though with a chanson like this we should be singing his stuff all the time:
All these and many, many more besides! There’re still a couple of spaces left for sopranos, tenors and basses so with the tube strike called off, why not come along?
…but that is what we’re doing at the moment, as all their spaces at Monday’s PDtP have now been taken. Then again, with the world currently turning upside and reality twisting itself into new, ‘alternative’ forms, it probably shouldn’t be so surprising.
(All alto spots have also gone, but no one’s puzzled by that, given that alcohol is on offer.)
This means that we still have room for a couple of basses and even more room for sopranos.
What’s going on sopranos? Are you worried that the Franco-Flemish repertoire, with its emphasis on lower voices and dense textures, will hold nothing of interest for you? Fear not: we’ve got loads of great, great stuff that will be right up your alley.
Or perhaps you’ve found the event less attractive without a poster to promote it? Again, we’ve addressed your concerns:
Whatever it is that’s been holding you back, shrug it off and sign up now for what will be a great night of singing!